Writing Magazine

Your writing critiqued

Emily Foster-Tomkinson has wanted to be an author since she was nine years old. In 2016 she graduated with a degree in Creative Writing from Kingston University and has been submitting to agents and publishers ever since.

It started like most unexpected tragedies start; uneventfully.1 The day was grey and overcast with a constant stream of drizzle2 that did nothing to dampen Zoe’s spirits.3 The forest was a wash of reds, oranges and yellows.4 Leaves were falling as quickly as the rain5 and the smell of damp foliage mixed with that of bonfire smoke that seemed to be constantly around that time of year.6

“Aren’t you cold?” said Oliver, looking at Zoe in just her jumper.7 The son of a mother from Berkshire and a father from Edinburgh, Oliver’s accent constantly swapped from English to Scottish, sometimes mid-sentence.8

“A bit,” she admitted.9 “But

You’re reading a preview, subscribe to read more.

More from Writing Magazine

Writing Magazine3 min read
Understanding Structure
The concept of story structure might feel restrictive but it can enhance your creative freedom as a novelist. It can help you protect your story’s integrity, streamline your writing process, and boost your confidence, all through an understanding of
Writing Magazine3 min read
Standout, Breakout
For a few years I had pinned above my desk a Private Eye cartoon by Peter Cook. Two literary types at a book launch, ‘I’m writing a novel,’ says one, ‘neither am I,’ replies the other. It’s a curious irony, given the amount of time that authors spend
Writing Magazine7 min read
Creative CONTROL
Cally Taylor proves that crime writers who explore the darkest, murkiest areas of human existence can be amongst the nicest writers you’re likely to meet. ‘Yes! I know! The darkness that looms!’ she laughs. She’s a gregarious livewire to talk to – ge

Related