iving and creating in the basement of what she describes as a “very strange building” – a curved, ex-torpedo testing centre that used to belong to London’s Ministry of Defence, Zena Holloway’s studio seems, on the surface at least, somewhat removed from the exotic other-worldliness of our planet’s ocean depths. But, she says, her basement is the ideal space to work on her most recent project – an experiment that sees her turn grass roots into wearable art, drawing attention to the catastrophic bleaching events currently
