The Artist Magazine

Have fun with oils in the great outdoors

Let’s get straight down to business. You can read all the theory in the world, but what’s actually going to make you a better plein-air painter is getting out there and having a go – and making it a regular practice to do so. It’s surprising how many self-made obstacles can pop up in our heads to stop us actually doing it, so I just wanted to say a few words first about choosing a subject and getting started.

I often think that the hardest part of plein-air painting is crossing the threshold of your own front door with your kit. We’re judging ourselves before we even start; imagining that others will be critical of our efforts. We tend to feel self-conscious about the prospect of being watched by onlookers and, before you know it, procrastination has set in.

Some artists are big on planning and spend weeks honing their

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