ARCHAEOLOGY

A Monumental Imperial Biography

For the Emperor Caesar Flavius Constantine the Greatest, pious blessed Augustus, because by inspiration of divinity, in greatness of his mind, from a tyrant on one side and from every faction of all on the other side at once, with his army he avenged the republic with just arms, the Senate and Roman People (SPQR) dedicated this arch as a sign for his triumphs.
—Dedicatory inscription, Arch of Constantine, Rome

HE PINNACLE OF AN ancient Roman general’s or emperor’s military career was to be awarded the right to parade through the streets of Rome to celebrate his victories on the battlefield and flaunt the spoils of war in an extravagant display known as a triumph. During these grand spectacles, Romans watched as senators clad in brilliant white togas trimmed in purple made their way through crowded, noisy streets, followed by trumpeters and scores of other musicians, bulls to be slaughtered for feasts, and exotic animals captured in far-off conquered lands. Shackled prisoners, many of whom would later be executed, were hauled through the city, and heaping mounds of booty—gold and silver, marble statues, and more—were piled high on wagons pulled by draft animals. People craned their necks as the victorious general rode by in a four-horse chariot covered in laurel, the symbol of victory, holding a scepter and wearing a purple tunic, a decorated gold toga, a laurel wreath, and a gold crown. He was followed by his troops, whom ancient sources describe as singing loudly and shouting victory chants.

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