Gravel and Grail
tend to fall into two categories: your meat-and-potatoes “clean and dirty with reverb” bundles — and “everything but the kitchen sink” ones with amp and effects modeling. I have no problem using either type as of late because, frankly, solid state amplification has come a long way from some of the sterile-and anemic-sounding tubeless amps of yore. Case in point: Electro-Harmonix’s
