HOWLIN’ MULE
“EVERYTHING’S BLEEDING INTO EVERY MICROPHONE, WITH NO WAY OF SEPARATING ONE INSTRUMENT FROM ANOTHER. AND WE WERE LITERALLY RIGHT ON TOP OF EACH OTHER”
—WARREN HAYNES
YOU CAN BE excused for feeling surprised at the news that Gov’t Mule’s Heavy Load Blues is Warren Haynes’ first proper all-blues album. The music has been at the heart of Haynes’ playing — not only since Gov’t Mule’s 1995 self-titled debut, but since he burst onto the international scene with the Allman Brothers Band’s 1989 comeback album, Seven Turns, and established himself as one of the great guitar heroes of the last quarter century.
But Heavy Load Blues is indeed the first time that Haynes has released a complete collection of blues songs, split evenly between originals and tunes by Elmore James, Howlin’ Wolf, Junior Wells and other blues luminaries.
“I’ve been thinking about doing an album like this for a very long time, but I was not sure if it would be a solo project or a Mule record,” Haynes says. “I’m a bit surprised, too, that it’s taken this long, but what better time than now after the pandemic?”
Gov’t Mule was started by Haynes, bassist Allen Woody and drummer Matt Abts as an outlet for Haynes and Woody to bust out of their day gigs in the Allman Brothers Band and stretch the boundaries of music. They were paying tribute to power trios like Cream, Mountain and the Jimi Hendrix Experience, with material often rooted in the blues but ready to blast off in any direction. It’s the template the band has retained for 26 years, through Woody’s 2000 death and the transformation from trio to quartet with the addition of keyboardist/second guitarist Danny Louis. Jorgen Carlsson has been the band’s bassist since 2008. Through.
