Paleman
ack in the early ’10s, the dark, cerebral sound of early dubstep compelled a generation of forward-thinking producers to reconstruct club music in innovative forms. Calum Lee was at the heart of this scene, producing warped, bass-heavy rollers that thrived in the murky no-man’s-land between house, dubstep and techno. After launching his own label, PLMN, in 2016, Lee’s output shifted further towards the experimental, and he began working on a series of self-titled EPs that, and two EPs under a new alias, Fresnel Lens.
