The Artist Magazine

How to avoid muddy colours

can clearly remember being a young student of painting at art school during the early 1980s and having the problem of muddy colours in my painting. In my mind’s eye I can see my palette, which by the end of the morning always seemed to end up as a mass of olive green. I felt demoralised by this and realised I needed to do something about it as soon as possible. I saw that the

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