ANAÏS MITCHELL

THE first phase of the Covid crisis brought a rude interruption to normal life for Anaïs Mitchell. She was living in New York, in the ninth month of her pregnancy with her second child. Mitchell’s creative life was dominated, as it had been for some years, by the demands of , the juggernaut of a musical which has grown from her folk opera about the myth of Orpheus and Eurydice (also the basis for her 2010 album). It’s hard, with the world now stuck in a state of numbed alarm, to remember the fearful reality of the early part