Vogue Australia

MARC FOR LIFE

The past 18 or so months have proved a peculiar time for fashion shows. There have been stretches of months on end when the industry figures who would once have been decked out in new-season looks to sit front row in fashion’s global capitals were instead sitting on their sofas in tracksuits, witnessing the digital apparition of clothes that might never be worn by people in the real world (pandemic-related production hiccups, paired with the ever-perplexing state of international lockdowns, made for an array of uncertainties often wilfully dismissed by online catwalks).

“When I started seeing people showing through live-streams, or making fashion films, I just thought: ‘I’ll never be able to do that, I’ll never be able

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