Ceramics: Art and Perception

You Cannot Judge the Past by Today’s Standards

Did you find any fingerprints?” Patrick asked as I climbed the steps of his stone front porch. I was returning the two Native American pots he had allowed me to borrow to photograph, sketch and really just hold. He must have known, while I studied the pots, I would also be looking for such impressions, evidence of the one who made these Late Woodlands vessels, perhaps 1,000 years old.

Three Years Earlier

Vibrant intense color burst forth as I came over a gentle hill driving one of Michigan’s two-lane blacktops, cutting through rural farm lands. In the front yard of a 150-year-old white clapboard farm house, tie-dyed shirts, bed sheets, pants and pillow cases hung from tree branches, lines strung

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception7 min read
Interrogating the African Electoral System: A Narrative in Conceptual Ceramics
Conceptual ceramics have unlimited boundaries, and go beyond household utility into issues of societal concerns. This series uses a conceptual approach to portray and interrogate the electioneering malpractices that have bedeviled the political lands
Ceramics: Art and Perception5 min read
The Porcelain of Capodimonte
Until recently, there have only been two institutions in Italy classified as ‘Istituto Raro’ (Unique Institutions): The Antonio Stradivari International School of Violin Making in Cremona, and The Institutum Statuaria Ars Carrara Pietro Tacca IPSAM i
Ceramics: Art and Perception9 min read
Wang Xianfeng: Innovating Jun Ware
Jun ware occupies an important place in the history of Chinese ceramics, named after the city of Yuzhou in Henan Province, where it was first made. Yuzhou was known as ‘Juntai’ during the Xia Dynasty (thought to be approximately 2070-1600 BC), and lo

Related