he singing in Opera Atelier’s latest production—a filmed version of a new, 70-minute opera called —is wonderful. And the score by Canadian composer and violinist Edwin Huizinga is an interesting, contemporary take on familiar Baroque sounds, beautifully played by Toronto’s Tafelmusik under the leadership of their Music Director Elisa Citterio. But the rest of it is an overly busy, confusing and, much as I hate
