Aperture

Backstory

Last summer, the San Francisco Museum of Modern Art and the Metropolitan Museum of Art, along with many museums in between, were rightly criticized for their responses to the killings of George Floyd, Breonna Taylor, and others at the hands of police and to the protests sparked by those tragedies. Several institutions searched their collections and used artworks by Black artists, without permission, in social media posts. Some paired images with statements that did not directly condemn the killings or adequately acknowledge the pain in their communities.

As Kimberly Drew, a writer and formerly the social media manager for the Metropolitan Museum, put it on Twitter, “I understand firsthand that finding something to say can be hard work. I am also saying that I would like to see you do that work.”

You’re reading a preview, subscribe to read more.

More from Aperture

Aperture9 min readWorld
For So Many Years When I Close My Eyes
When Yu Lai Wai-ling’s son disappeared from Hong Kong into China, she embarked on a tireless investigation to find him. The photographer Billy H.C. Kwok has assembled an archive related to her search—piecing together a twisting story of grief and res
Aperture10 min read
Studio Visit
“My dream was to get out of New Haven,” writes Jim Goldberg in his 2017 photobook, Candy, a coming-of-age story that tracks his 1973 move west and the beginnings of his life as an artist, a seeker, and a man in near-constant motion. Goldberg’s eye wa
Aperture4 min read
The “Good” Change
A gray-haired woman looks upward intently, her gaze fixed, head tilted back, and face mask lowered to amplify her shout—a picture of defiance. Taken by the Polish artist and photojournalist Agata Szymanska-Medina, it’s among the striking portraits in

Related