ONWARDS
IN AND OF itself, Yes’ new album, The Quest, is significant as it ends one of the longest gaps between studio recordings for the progressive-rock legends (the last time they released a studio effort was in 2014, with Heaven & Earth). Guitarist Steve Howe acknowledges the fact that the band’s fans have been clamoring for new music, but he also defends the decision to hold off and not hurry.
“I’m not the guy who will say, ‘Let’s rush and make another record,’ because I’ve had my fingers rapped too many times with the outcome of that,” he says. “I’ve been disappointed with some of the recent albums Yes recorded, starting with [1997’s] Open Your Eyes. I mean, they all had their merits, but I think to make a really good album, you need the proper circumstances and atmosphere. Everybody has to feel really ready. So as far as the long gap, all I can say is, some things are worth waiting for, and I think this album is worth the wait.”
The Quest is notable in other ways. Not only is it the first Yes album on which founding bassist Chris Squire doesn’t appear (he passed away in 2015), but it’s also the first record to feature a lineup devoid of any original band members. Howe and drummer Alan White are now the two elder statesmen [Howe replaced Peter Banks in 1970; White replaced
Bill Buford in 1972] in a group that consists of singer Jon Davison, bassist Billy Sherwood and keyboardist Geoff Downes.
“It’s certainly a different dynamic in the band these days,” Howe says. “In terms of Chris Squire, we obviously felt the loss, and we know the scale of what losing him means. But what we’re trying to do is not wallow in regret. When we tour, we pay tribute to Chris by playing
