AMON TOBIN

The producer’s latest studio album sees him continuing his exploration of new frontiers in sound design, blurring the boundaries between the acoustic and the electronic by using synthesis to model imagined instruments and processing guitars and vocals beyond recognition. Tobin talks us through the studio equipment and techniques he used to achieve the unique sound of his new record, and reflect on 25 years spent working at the forefront of electronic music…

1 This year marks the 25th since your debut release. Do you feel as if you’re still learning new things as you continue to progress as a musician?

“It’s a bit like a feedback loop, where the things you make spawn new things that you make in perpetuity… a beautiful spiralling madness.”