ArtAsiaPacific

ITINERARY

ONGOING

MAY 5–JAN 1, 2022

Trust and Confusion

Tai Kwun Contemporary

Hong Kong

AUG 5–JAN 2, 2022

Candice Lin: Seeping, Rotting, Resting, Weeping

Walker Art Center

Minneapolis

AUG 13–JAN 3, 2022

Carlos Villa: Worlds in Collision

San Francisco Art Institute

San Francisco

AUG 14–NOV 14

Liquid Ground

Para Site

Hong Kong

AUG 19–FEB 27, 2022

Apichatpong Weerasethakul: A

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific2 min read
Contributors
Christine Han is a Singapore-based art writer. She was previously a contributing editor at World Sculpture News and Asian Art News, and her writing has appeared in Artforum, ArtAsiaPacific, Artlink, e-flux, Frieze, Flash Art, Mousse, Ocula, and Sculp
ArtAsiaPacific4 min read
London
Hayward Gallery In 1974, Hiroshi Sugimoto was standing in front of a large diorama at the American Museum of Natural History in New York when he had a sudden revelation. Conceding that the backdrops looked fake, he noticed that by “taking a quick pee
ArtAsiaPacific1 min read
Natascha sadr Haghighian
What gives comfort? What offers support? And what small moment of kitsch sparks a sense of fleeting joy? (One set of answers: break-up songs, walking-assistant devices, and iridescent plastic animals.) Watershed (2023), the Berlin-based, Tehran-born

Related Books & Audiobooks