here was a certain layered irony to Ho Rui An’s first solo European show, “The Ends of a Long Boom,” being held in Vienna, the intellectual birthplace of economist Friedrich Hayek, the Austrian School, and the all-pervading ideological malady of neoliberalism. Across five installations at Kunsthalle Wien Karlsplatz’s glass pavilion, Ho took aim at the neoliberal cycle of social and economic crises in Asia of the past two
