If there’s one thing filmmakers like Christopher Nolan understand (because it certainly isn’t storylines that make sense – did y’all see TENET!?), it’s the importance of music to make gripping action scenes and grandiose set pieces feel all the more intense. A good film score can be the difference between a bargain-bin flop and an Oscar-winning classic – especially in the hands of a prodigious composer like Hans Zimmer or John Williams.
But what if you flipped the script (pun intended) and approached a non-visual music project with the ethos of cinematic filmmaking? Of course rock operas are nothing new in 2021, but what if you went beyond the typical structure of one, and