Anytime we chat with an artist that’s worked with Shane Edwards, it’s virtually guaranteed they’ll gush about his beatmaking black arts like a tween girl gushes over her favourite boyband – entirely unprompted, too.
Edwards started producing out of necessity, unable to afford any external help to lay down his own band’s material. But the Sydney-native stalwart soon discovered a love for the art that spread far beyond his own musicality. Today, he’s one of the most sought-after names in heavy music, thanks in no short part his unapologetically unique approach to the recording process – which has led to such instant classics as Hellions’ , Trophy Eyes’ , Saviour’s … The list goes on. Hell, he’s even linked up with musical titans like Hans Zimmer, and put his own twist on a rendition of the
