The Atlantic

His Name Was Emmett Till

In 1955, just past daybreak, a Chevrolet truck pulled up to an unmarked building. A 14-year-old child was in the back.
Source: Hannah Price

Photographs by Hannah Price for The Atlantic

This article was published online on July 22, 2021.

The dentist was a few minutes late, so I waited by the barn, listening to a northern mockingbird in the cypress trees. His tires kicked up dust when he turned off Drew Ruleville Road and headed across the bayou toward his house. He got out of his truck still wearing his scrubs and, with a smile, extended his hand: “Jeff Andrews.”

The gravel crunched under his feet as he walked to the barn, which is long and narrow with sliding doors in the middle. Its walls are made of cypress boards, weathered gray, and it overlooks a swimming pool behind a white columned house. Jeff Andrews rolled up the garage door he’d installed.

Our eyes adjusted to the darkness of the barn where Emmett Till was tortured by a group of grown men. Christmas decorations leaned against one wall. Within reach sat a lawn mower and a Johnson 9.9-horsepower outboard motor. Dirt covered the spot where Till was beaten, and where investigators believe he was killed. Andrews thinks he was strung from the ceiling, to make the beating easier. The truth is, nobody knows exactly what happened in the barn, and any evidence is long gone. Andrews pointed to the central rafter.

“That right there is where he was hung at.”

Emmett Till was killed early on the morning of August 28, 1955, one month and three days after his 14th birthday. His mother’s decision to show his body in an open casket, to allow Jet magazine to publish photos—“Let the world see what I’ve seen,” she said—became a call to action. Three months after his murder, Rosa Parks kept her seat on a Montgomery, Alabama, bus, and she later told Mamie Till that she’d been thinking of Emmett when she refused to move. Almost 60 years later, after Trayvon Martin was killed, Oprah Winfrey channeled the thoughts of many Americans in evoking the memory and the warning of Emmett Till.

[Read: How The Blood of Emmett Till still stains America today]

But the way Till’s name exists in the firmament of American history stands in opposition to the gaps in what we know about his killing. No one knows, for instance, how many people were involved. Most historians think at least seven were present. Only two were tried: half brothers J. W. Milam and Roy Bryant. Another half brother, Leslie Milam, was there that night too. He lived in an old white farmhouse a few dozen steps from the barn, next to where Jeff Andrews’s house now stands.

In 1955 an all-white, all-male jury, encouraged by the defense to do their duty as “Anglo-Saxons,” acquitted J. W. Milam and Roy Bryant. Because the defendants couldn’t be tried again, they got paid to make a confession to a national magazine—a heavily fictionalized account stage-managed by their lawyers—and Leslie Milam and his barn were written out of the story. Ask most people where Till died and they’ll say Money, Mississippi, the town where Till whistled at Bryant’s wife outside the family’s store. An Equal Justice Initiative monument in Montgomery says Money. Wikipedia does too. The Library of Congress website skips over the barn, which is just outside the town of Drew, about 45 minutes from the store.

I learned about the barn last year and have since made repeated visits, alone and with groups, once with members of Till’s family. Over and over, I drove from my home in the Mississippi hill country back into the gothic flatland where I was born. The barn’s existence conjures a complex set of reactions: It is a mourning bench for Black Americans, an unwelcome mirror for white Americans. It both repels and demands attention.

During one of my visits, Patrick Weems sat next to me as I navigated the backroads near Drew. A young, white Mississippian, Weems co-founded the in nearby Sumner, to commemorate the places where Till spent the last days of his life. Weems is now working with Wheeler Parker, Till’s cousin and the last living eyewitness to the kidnapping, to create a series of monuments in Chicago, where Till grew up, and in Mississippi, where he died, with the hope that . That’s why the barn matters now. There’s money, energy, urgency bearing down on the dentist and the long cypress

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