n the varied archive of O. P. (Om Prakash) Sharma, who has been practicing and teaching photography in India since the 1950s, human forms are inserted into labyrinths of geometric patterns, repeated in multiple postures across the photographic frame, and cast into eerie inversions of light and dark. In (1968), a man leans against an unseen wall to speak more intimately with a quizzical child, making a motion of explanation with his right
O. P. Sharma
Jun 08, 2021
3 minutes
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