The Critic Magazine

Spare us the skintight sonata

● ONTOA STAGE BOUNDS a young woman in a backless gown slit up to the hip, or a micro-dress cut an inch below the butt. That’s right, I’ve turned into a fashion critic. And the moment these words appear I shall come under a social-media onslaught for committing the unforgivable male offence of reporting what a female artist wears, instead of how she plays.

My defence is that Yuja Wang does everything possible to draw attention to her appearance. She habitually changes costume in a concert interval to show more leg

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