The Critic Magazine

Morning glory

I KNOW WHEN HORTENSE is about to be snide. The slightly arched eyebrow, the slow smile with gently hitched ends, the contrived sweetness in her voice. “You never write about breakfast,” she says. She knows I always come to work without eating a meal most of my fellow labourers deem sacred.

“Is that an offer,” I respond in a voice as sweet as hers, “to share yours with me?” She retreats huffily, leaving me to get

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine4 min read
Romeo Coates “Between You And Me …”
GIVING US HIS MODERN-DAY Falstaff (suddenly “Shakespeare’s ultimate gangster”, apparently), McKellen unfashionably relies on a fat suit for the role. Though such an approach is now often frowned upon by the obese/obese-conscious, old Gandalf deems hi
The Critic Magazine4 min read
Michael Prodger on Art
SOMETIME AROUND 1909, THE Romanian sculptor Constantin Brâncuși was approached by “a lady from Paris, a princess” with a commission to carve her portrait. Brâncuși, a leading Modernist, had a “miserably low opinion” of traditional sculpture, even des
The Critic Magazine3 min read
Anne McElvoy on Theatre
AGATHA CHRISTIE HAD MODEST aspirations for The Mousetrap when her murder mystery opened in 1952. Her producer predicted a 14-month run but the great literary stiletto-wielder replied, “It won’t run that long. Eight months perhaps.” By 1957, it had be

Related Books & Audiobooks