Australian Woodsmith

Carved Rim Platter

The enhancement of any piece of woodturning is always a consideration of different factors. Does this piece need to be enhanced? Is the wood just good enough as it is? How will colour impact the shape and design? These questions could be applied to any piece. This platter was based on a demonstration I saw Mark Baker deliver on one of his many trips to Ireland. I decided to do a variant of my own, taking inspiration from Mark’s work. Using a piece of sycamore with very little figuring, my thoughts were that this wood should take light carving easily and not cause any issues.

Once the back is given an ogee shape, the top is trued up and, very importantly, sanded to a fine finish prior to painting. Several light coats of black ebonising lacquer form the

You’re reading a preview, subscribe to read more.

More from Australian Woodsmith

Australian Woodsmith1 min read
Australian Woodsmith
PUBLISHER Ian Brooks EDITOR Chris Clark TECHNICAL EDITOR Mark Jones DESIGNER Julitta Overdijk SUBSCRIPTION MANAGER Julie Hughes INTERNATIONAL EDITOR Bryan Nelson EDITORIAL STAFF Vincent Ancona, Robert Kemp, Phil Huber, Wyatt Meyers, EXECUTIVE ART DIR
Australian Woodsmith9 min read
Serpentine Chest
The serpentine style has a nearly four-century-old history, dating back to one of the most immoderate periods of French design. A traditional serpentine chest often featured ornate trim and gaudy carvings, and would look far more at home in the Palac
Australian Woodsmith5 min read
Spliced Puzzle Joint
How does this joint fit together? With a fully interlocked dovetail visible on each of its four sides, it certainly is a puzzle! Functionally, this strong joint splices the ends of two short square posts together into a longer post that might, for ex

Related