The Big Issue

FILM

Dynamic angles. Bold shapes. Dark and light. This is the Bond aesthetic in its simplest sense, established by the makers of the early movies and especially Sir Ken Adam, who designed many of the iconic sets, from Goldfinger’s Fort Knox interior in 1964 to the volcanic lair in 1967’s

You Only Live Twice.

If you’re watching a Bond movie, you know it. The architecture and design of

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