BBC Music Magazine

Orchestral

Beethoven

Coriolan Overture; Symphony No. 3 ‘Eroica’

Ensemble Cristofori/Arthur Schoonderwoerd

CAvi-music AVI 8553487 59:42 mins

Between 2004 and 2008, the fortepiano specialist and conductor Arthur Schoonderwoerd recorded a set of Beethoven piano concertos variously regarded by pundits as a most refreshing earopener and the worst performances of the music ever issued. Why the divergence? Well, Schoonderwoerd is a ‘historical performance’ extremist, who strips down forces to one to a part in an effort to duplicate the numbers physically possible at Beethoven’s first performances.

A decade and more later, he’s at the same game, offering an Eroica dispatched by 20 players and a Coriolan by 19, drawn as before from his own Ensemble Cristofori. The results are ‘different’, certainly, but with novelty gone from ‘authentic’ performances, Schoonderwoerd’s are only refreshing if you like your masterpieces in X-ray form: the bone structure clear, flesh and personality missing. Nothing done by these doughty musician runs contrary to the scores’ markings, but even when they muster a staccato attack the effect has all the frightening power of a chihuahua barking.

Three horns are allowed in the Symphony, luckily for the scherzo’s trio; but time and again on this album the thin, bald sonorities struggle to convey any of the muscle and grandeur written into Beethoven’s notes.

You’re reading a preview, subscribe to read more.

More from BBC Music Magazine

BBC Music Magazine1 min readMusic
Welcome
We were excited to get our hands on the world-premiere recording of Fausto, Louise Bertin’s 1831 operatic retelling of the Faust story. Given just three performances in the year of its composition, the work then vanished for nearly two centuries! Now
BBC Music Magazine6 min read
Mark Elder
It’s the end of an era in Manchester. And at the centre of their last season together – the 24th year of one of the most successful and long-running partnerships in British orchestral history – conductor Sir Mark Elder and the Hallé are playing one o
BBC Music Magazine1 min read
Bonang Goes Pythagoras’s Theory Of Numerical Harmony
Did Pythagoras get it wrong? In the 6th century BC, the great polymath showed that certain numerical ratios between sounds are what makes music sound pleasant to us – and dissonance occurs when there’s a deviation from such ratios. But scientists in

Related