Prog

THE PROG INTERIVEW ROGER CAHPMAN

As a teenager Roger Chapman would take the mic “for a laugh” when the dance band at his local palais ran through some of the rock’n’roll hits of the day. He tried to emulate the likes of Little Richard, Eddie Cochran and Chuck Berry, but he never dreamt that he would become a singer, let alone one of the most original vocalists of his generation. Chapman sang with bands on the Leicester gig circuit, including the Rocking Rs and The Exciters, then in 1966 he joined rhythm and blues band The Farinas who soon became Family. Over the next seven years Family developed through the psychedelia of their debut Music In A Doll’s House (1968) into one of the most imaginative and respected groups of 70s progressive rock era. Their wide stylistic remit encompassed rock, folk, blues, jazz and eastern influences. They went on to release another six albums, and their singles the Strange Band EP (1970), In My Own Time (1971) and Burlesque (1972) all entered the UK Top 20.

When Family split in 1973 Chapman and guitarist John ‘Charlie’ Whitney continued, initially as a duo, and took a rockier route on their 1974 album Chapman-Whitney Streetwalkers. The line-up morphed into the five-piece Streetwalkers, who toured extensively in the US and UK with The Who, 10cc and Wings, but didn’t achieve the success that their albums had promised and they split in 1977

Chapman recorded a debut solo album in 1979 and has since been a popular live draw on mainland Europe, particularly in Germany, with his backing group The Shortlist. His most high-profile guest spot was singing on Mike Oldfield’s 1983 album , which was also released as a single. Family reformed in 2013 and played concerts and festivals on and off until 2016. Chapman had been gigging regularly before the, his first solo studio album since in 2007, which was expanded and reissued as seven years later, and the 2009 compilation

You’re reading a preview, subscribe to read more.

More from Prog

Prog5 min read
Bloddy Well Write
When I saw the latest edition of Prog [148] during my weekly Tesco shop, I couldn’t believe my eyes! Was that really Tangerine Dream on the cover? Not only that, but a story about the making of Phaedra and some Edgar Froese postcards to boot. It land
Prog3 min read
House D’Horror!
The Château d’Hérouville, an 18th-century house located on the northern outskirts of Paris, was one of the most prestigious studios of the early 1970s. It was there, in August 1972, that Tull began work on the follow-up to Thick As A Brick. “Cat Stev
Prog5 min read
The Division Bell
Jane Getter is a jazz guitarist at heart. For the New Yorker, who’s been playing guitar since she was eight years old, that means long, winding compositions rich with improvised solos come as second nature. Yet, on her latest album with her Premoniti

Related Books & Audiobooks