Concerto

Chopin

Piano Concerto No. 2; Scherzos

Seong-Jin Cho (piano); London Symphony Orchestra/ Gianandrea Noseda

DG 486 0435 76:56 mins

If we are to judge by the number of recordings currently available, Chopin’s Scherzos seem to have joined his Rondos in not quite making the top grade – which is curious, given their quality and especially their masterly combination of virtuosity and lyricism. Pianist Seong-Jin Cho is equal to their every virtuosic demand, and my reservations rather concern his responses to the lyricism in the works’ varying structures.

In the First Scherzo, Chopin specifies ritenutos in the outer sections for one particular passage each time it recurs. For me, introducing them elsewhere blunts what is presumably the composer’s intention, which is surely to answer wildness with reflection. In the Third Scherzo the ‘chorale’ passage in D flat, then in E, surely demands the same regular rhythm as its leggierissimo response; the contrast of texture is quite enough, and is only confused by an added contrast of rhythm. My only other quibble is with the ritenuto on the last two chords of the First Scherzo. In the other three, the pianist drives on implacably to the end – why not here? He is at his best though in this piece’s central lullaby, which is exquisite.

With the F minor Piano Concerto Seong-Jin Cho is, of course, against stiff competition. I do wonder whether Chopin would have been happy with today’s accepted (also on Deutsche Grammophon), this is still a respectable rendering overall.