Stereophile

FOLLOW-UP

ZESTO LETO ULTRA II LINE PREAMPLIFIER

On the outside, the Zesto Leto Ultra II line preamplifier ($10,900),1 which Ken Micallef reviewed earlier this year,2 looks a bit different than most other audio components. The designs on its faceplate resemble ocean waves. Waves are also evoked by the bending mirrored plate above, which obscures transformers and other electronics and, in dim light, reflects the Leto’s gently glowing 12AU7 and 12DW7 tubes. Otherwise, the Leto’s only important features are three front-panel knobs: one for volume, one for source selection—and a third that Zesto calls its “presence control.”

The presence control is a tone control with a very specific purpose: to tame the high end on especially rowdy recordings. Based on my first exposure

You’re reading a preview, subscribe to read more.

More from Stereophile

Stereophile5 min read
Jazz
Crump, bass; five others Papillon Sounds PS 28242 (CD, available as LP). 2024. Crump, prod.; Chris Benham, Cat Evers, engs. The first impression of this record is the freshness and richness of its sonic palette. There may never have been a jazz album
Stereophile12 min read
Parasound JCA100 Tribute
In December 2023, I took the train from New York to Los Angeles to attend the Los Angeles & Orange County Audiophile Society’s 30th annual Gala. I took the trip because it is both stimulating and satisfying to spend an afternoon in the company of mor
Stereophile3 min read
Linn Klimax Solo 800 Monoblock Power Amplifier
When I measured the Linn Klimax Solo 8001 for Jason Victor Serinus’s review in the May issue of Stereophile, I was very impressed by what I found. I concluded, “The Linn Klimax Solo 800’s measured performance is one of the best I have encountered, of

Related