Welcome

ometimes it is the little things that make all the difference. In this issue, we’ve come across plenty of artists who are new to and have based their styles on small breakthroughs. For Martin Greenland, the John Moores Painting Prize winner and star of this month's “How I Paint” article, that “Eureka moment” came when he realised the impact that small details could have within his vast, imagined landscapes. For Michele Poirier-Mozzone, the American artist who we join “In The Studio”, it was a GoPro camera that gave her access to underwater reference photos and satisfied a yearning to paint fractured light. And for Chris Gambrell, Bristol fashion illustrator and our “Big Interviewee”, it was joining a local art trail that set him on course for a commission from