The Artist Magazine

Paper luxury!

came across Hahnemühle papers some years ago in Prague. I was looking for a quality cotton rag Hot Pressed (HP) and Cold Pressed (CP or Not) paper for some life painting in watercolour. Hahnemühle was on sale at the main art shop, I liked what I saw and decided to purchase. I wasn’t disappointed to say the least. Fast forward to now, when asked me if I would

You’re reading a preview, subscribe to read more.

More from The Artist Magazine

The Artist Magazine2 min read
Artistic Licence
This little painting is the embodiment of the term ‘artistic licence’. None of it was taken from a reference, so it’s entirely from memory and imagination. A painting this loose has so much potential for licence, as no one can say if it’s right or wr
The Artist Magazine4 min read
CASE STUDY Jemma Lewis and Angela Bush
Q: Tell us about your journey into Jemma Lewis Marbling and House of Amitié. A: Although I was vaguely aware of marbled papers from a fairly young age it wasn’t until I started working at a bookbinder in Bath, after university, that I came to appreci
The Artist Magazine14 min read
The Magnificent Seven
The seven oil colours I will be using for this article are manufactured by Wallace Seymour Fine Art Products comprise: titanium white, cadmium yellow lemon, cadmium red, cobalt blue, ultramarine blue, alizarin crimson and burnt umber. The reason why

Related