Ceramics: Art and Perception

Seeking Sustainability

In 2020, the International Bone China Symposium in Kaunas, Lithuania celebrated its long history with the material and its ability to be a catalyst for conversation, exploration and community.

The theme of this year’s event was Sustainability, a topic that seems to speak to so many things happening right now around the world. While we all gravitate towards a specific definition or notion of this concept, the organizers expressed their interest in this term simply as a means of exploring “a way of existence”. One could only assume this took into consideration a number of variables that include the gamut of social, economic and environmentally conscious iterations of “sustainability” – all of this translated by the artists and through a material that is based on roughly fifty percent agricultural waste (i.e. bone ash).

Change is difficult and it is fair to say the Coronavirus will likely never be celebrated nor considered timely, yet it is serving a role whether we are aware of it or not

The very nature of contemporary symposia is to establish interconnectedness, find common ground, and to create a dialogue between disparate entities from various cultures and nations through

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