In-reach and the Fabulatory Function of the Curatorial
I am a biracial Torontonian who grew up in a small town as the only person of colour, and returned to Toronto to study. Toronto has been the subject of my work ever since.
My curatorial work for the past two decades can be simply summed up as a practice of negotiating the complexities of to belong with a place over time. It has questioned the social and civic role of art and its public institutions, conceiving of the curatorial as a means and methodology with which to engage and participate in the civic sphere by bringing artists, non-artists, and city structures into relation, and in doing so, giving shape to future visual culture grounded in multiplicity. I have approached this through: the adoption of artistic methodologies that stem from vernacular cultural traditions, the transformation of traditions through
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