STEPHEN BAYLEY
Jun 23, 2021
3 minutes
‘Elongated microtonal dissonances’, I read in a recent review of a modern musical composition. There were no such subtleties on offer as I reviewed a coruscating range of supercars and hypercars. These were recently assembled by an old friend of mine who has the great good fortune to own a racing circuit. Forget about microtonal, this was the bombastic last movement of Beethoven’s Ninth turned up to 11.
While others chattered about lightened crankshafts, I pondered different truths
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