The Atlantic

The Internet Mocked Her as a Teenager. It’s Embracing Her Now.

The generation that grew up with Rebecca Black’s “Friday” isn’t just nostalgic for that novelty tune—it’s making music inspired by it.
Source: Jade Derosa

Ten years ago, the most Googled name in the world belonged to a wide-smiling 13-year-old girl everyone seemed to be laughing at. She was Rebecca Black of “Friday,” the calendar-themed sing-along that reached megafame by being, in many people’s judgment, the worst song ever. Amid cheesy production by the ARK Music Factory—a now-defunct Southern California firm that Black’s mom had paid $4,000 to make the song—Black’s auto-tuned voice bleated about cereal, front seats, back seats, and “fun, fun, fun.” In the music video, which featured tweens riding around in a convertible, and on talk shows where hosts quizzed Black about why her song was so hated, she never seemed to drop her grin.

Black is now 23, and she’s still smiling. The her new, would be a glamour shot—coiffed bangs, dangling jewels—if not for the green-black slime smeared on her teeth and chin. Over the past year, Black has been wriggling back into the public’s consciousness as a hip Gen Z avatar—while coming out as queer, making a hilarious remix of “Friday,” and recording adventurous pop singles for a devoted fan base. The sweetness of her teenage persona isn’t gone, but it now comes with a punkish, even gruesome, twist.

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