L'OFFICIEL USA

fasion IMITATES art

ome may reject the notion that an object meant to be consumed could be considered art. However, there is no denying that a beautifully constructed garment created by the hands of a couturier can elicit the same response as that from a master work of art. In the space of the French fashion magazine, which holds the identity of so close to its heart, we often imagine fashion and art as one.

You’re reading a preview, subscribe to read more.

More from L'OFFICIEL USA

L'OFFICIEL USA4 min read
In Picasso’s Presence
Sophie Calle’s À Toi de Faire, Ma Mignonne at the Musée Picasso in Paris (on view through January 2024) is not only a mise en scène of works and themes from throughout her career—it was also an opportunity to empty her house in Malakoff, in the subur
L'OFFICIEL USA1 min read
L’inside
VANESSA KIRBY PHOTOGRAPHED BY CELESTE SLOMAN AND STYLED BY BRIE WELCH MAKEUP: Jo Baker FORWARD ARTISTS using BAKEUP HAIR: Jenny Cho ABOVE AND ON THE COVER—Dress BALENCIAGA Earrrings CARTIER HIGH JEWELRY ON COLLECTOR’S COVER—Suit DOLCE & GABBANA Volum
L'OFFICIEL USA4 min read
Trading SPACES
Harry Nuriev is one of his generation’s design innovators. His objects, furniture, and installations are lessons in experimentation—or “transformism,” as he calls it. Working between New York City and Paris, his travels and constant state of movement

Related Books & Audiobooks