Country Life

Straight through the horse’s ears

TO gaze at a Lionel Edwards hunting scene is to feel the wind and hear the hounds. Few artists capture the sport as he does, because few knew it as he did. As he said: ‘However admirable the artistic treatment, a real understanding of what is happening is absolutely necessary.’

Edwards’s love for the countryside and all its inhabitants was nurtured during his childhood in north Wales. His education was irregular due to the family’s straitened circumstances, but his habit of sketching sustained him; he completed his first hunting drawing, of a huntsman and hound, at the age of five.

Moving to

You’re reading a preview, subscribe to read more.

More from Country Life

Country Life2 min read
The Legacy Sir John Soane And His Museum
EXASPERATED and despairing at the provocative behaviour of his sons, Sir John Soane (1753–1837) decided towards the end of his life to make the British public his heir. His eldest son, John—whom he had hoped would follow him as an architect, but who
Country Life6 min read
A Hungry Heart
WHEN the Nazis mounted an exhibition in Munich in 1937, their purpose was not to celebrate art, but condemn it. The so-called ‘Entartete Kunst’ or ‘Degenerate Art’ show was a macabre blockbuster designed to represent what was perceived to be the very
Country Life4 min read
Smart Thinking
A private family garden near Godalming in Surrey IMAGINE standing in a garden for the first time and trying to work out what it can become. Will it be minimal or traditional? Will the planting be cottagey, Mediterranean or jungly? How is the garden g

Related