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    The Critic Magazine4 min read
    Robert Thicknesse on Opera
    YOU KNOW THE STORY, BUT HERE’S a reminder: SCOTTISH WEDDING — THREE DEAD. If any operatic image can elbow out the chesty soprano snuffing it on the bed, it’s got to be the wild-eyed bride of Lammermoor in her blood-spattered wedding dress: little Luc
    The Critic Magazine9 min read
    Would You Trust The Police’s Big Brother IT?
    THE EXPANSION OF FACIAL RECOGNITION technology (FRT) in the UK is happening at a rapid rate, with very little public debate, scant parliamentary discussion and, critically, without any clear laws to govern it. It’s long past time for the public to be
    The Critic Magazine4 min read
    Michael Prodger on Art
    SOMETIME AROUND 1909, THE Romanian sculptor Constantin Brâncuși was approached by “a lady from Paris, a princess” with a commission to carve her portrait. Brâncuși, a leading Modernist, had a “miserably low opinion” of traditional sculpture, even des

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