The guide to Easy strings
Over the first two instalments of the cm Guide to Easy Strings, we’ve been focussing on all things strings. A mass of fiddle-centric terminology and string-related jargon from col legno to spiccato has been unveiled and demystified, we’ve examined the lineups of typical string sections, had a detailed look at some of the better string sample libraries available today and broken down ways in which they can be used to add a touch of class to your own productions. In this, the third and final part of our expansive guide to programming realistic string parts with sample libraries in your DAW, we look at how to create a cinematic string arrangement from scratch using a single plugin, how to use a sample library to replicate convincing-sounding vintage string samples that sound as if they were lifted from dusty old vinyl records, how to mix sampled string arrangements to sound authentic, plus a bow-nus (groan) random bunch of general hints and tips to make it easier to get an authentic-sounding virtual string section sawing away on your tunes. So let’s rosin up our virtual bows, give our digital tuning pegs a final tweak and dive into part 3 of the Guide to Easy Strings.
As you might imagine from the presence of the prolific film composer’s name in the product title, Spitfire Audio’s Hans Zimmer Strings is a library that’s been specifically designed for the purpose of creating cinematic soundtracks, with the emphasis on epic. Up to an astonishing
