UP TO SPEED?
arvelling at the imaging performance of the Sony A7S III at very high sensitivity settings – it still looks good at ISO 51,200 – it was a reminder of how far we’ve come in fairly recent times. I started my career shooting Kodachrome 64 – that’s ISO 64 – and then switched to Fujichrome Velvia 50 when the Kodak product started to become harder to get processed. Velvia 50 was
