nguided by any exhibition text, visitors to Art-informal Gallery in Greenhills may have been confounded by “Familiar Hunting, Unfamiliar Gathering” at first. However, this did not indicate the absence of any curatorial framing. The gallery, repurposed from a two-story house, was neatly divided between the four artists Miguel Aquilizan, Nice Buenaventura, Jessica Dorizac, and Costantino Zicarelli. Given their sharply contrasting sensibilities, the presentations initially appeared
