The Millions

On Literature and Consciousness

Not far from where the brackish water of the delta irrigates the silty banks of the Nile, it was once imagined that a man named Sinuhe lived. Some forty centuries ago this gentleman was envisioned to have walked in the cool of the evening under a motley pink sky, a belly full of stewed pigeon, dates, and sandy Egyptian beer. In twelve pages of dense, narrative-rich prose, the author recounts Sinuhe’s service to Prince Senworset while in Libya, the assassination of the Pharaoh Amenemhat, and the diplomat’s subsequent exile to Canaan wherein he becomes the son-in-law of a powerful chief, subdues several rebellious tribes, and ultimately returns to Egypt where he can once again walk by his beloved Nile before his death. “I, Sinuhe, the son of Senmut and of his wife Kipa, write this,” begins the narrative of the titular official, “I do not write it to the glory of the gods in the land of Kem, for I am weary of gods, nor to the glory of the Pharaohs, for I am weary of their deeds. I write neither from fear nor from any hope of the future, but for myself alone.” This is the greatest opening line in imaginative literature, because it’s the first one ever written. How can the invention of fiction itself be topped?  

Whoever pressed stylus to papyri some eighteen centuries before Christ (takes places two hundred years before it was written) has her central character pray that God may “hearken to the prayer of one far away!… may the King have mercy on me… may I be conducted to the city of eternity.” Fitting, since the author of birthed her character from pure thought, and in the process invented fiction, invented consciousness, invented thought, even invented being human. Because Sinuhe is eternal — the first completely fictional character to be conveyed in a glorious first-person prose narration. is the earliest of an extant type, but there are other examples from ancient Egypt, and indeed Mesopotamia, and then ofis something so strange, so uncanny, so odd, that we tend to ignore it by dint of how abundantly common it is today. Whoever wrote this proto-novel was able to conceive of a totally constructed consciousness and to compel her readers to inhabit that invented mind.

You’re reading a preview, subscribe to read more.

More from The Millions

The Millions6 min read
Against ‘Latin American Literature’
The classification of “Latin American literature” puts both Anglophone and Hispanophone writers in a double bind. The post Against ‘Latin American Literature’ appeared first on The Millions.
The Millions5 min read
Lilly Dancyger Is Rethinking the Ethics of Memoir
"I do think that we, as writers, owe things to the people in our lives that we care about." The post Lilly Dancyger Is Rethinking the Ethics of Memoir appeared first on The Millions.
The Millions2 min read
Cover Reveal: ‘Yr Dead’ by Sam Sax
We’re thrilled to reveal the cover for Sam Sax‘s forthcoming debut novel Yr Dead, slated for August 6.  Here’s a bit about the book, courtesy of McSweeney’s: In between the space of time when Ezra lights themself on fire and when Ezra dies the world

Related Books & Audiobooks