Popshot Magazine

MARLA

And of course, there is the year where she thinks: I cannot do this. And she remembers the awful boyfriend she had when she was twenty-one who she both loved and hated with equal measure; the awful boyfriend who started turning up with skin like split peaches and weeping, mucus filled wounds on his face. How proud he was. He dripped blood avariciously onto the bed sheets, spat loose teeth onto her belly, pressed her fingers into his sores. It is meaningful to think of him now because her body is beginning to feel less and less like her own and she understands that if she were ever to fight for the joy of it, it would not be for the reasons that he had but rather to bring her body back to herself, to call it whistling back from the edge of her thirties and the imaginary babies she may or may not have.

That year there are four baby showers and double the number of weddings. Marla goes to an enormous shop and buys six of the same overpriced stuffed giraffes. For the weddings she gives money towards honeymoons and mortgages and new cars and wears the same blue suit with a bow tie which Simone got her for her twenty-fifth birthday. Afterwards they stay in travel lodges or tents or, once, a communal yurt and Marla, arms wrapped around Simone’s shoulders, dreams about babies. In the dreams the babies bubble from the ground like hot springs, their faces broken into wails, their fat hands clasping at her as she tries to hold all of them at the same time. On the phone her twin sister, Imogen, says that by the time their mother was their age she already had three children and no wonder Marla is panic dreaming about pregnancy. Imogen says that sometimes she dreams there is a tiny creature living inside her, somewhere between a child and a tape worm and that it will

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