The Atlantic

Steve McQueen’s Ethos of Generosity

“I’m a massive fan of cinema, but sometimes you have to go where the people are,” the Oscar-winning <em>Small Axe</em> director told <em>The Atlantic</em>.
Source: ANA CUBA / The New York Times / Re​dux

Steve McQueen has an eye for the tiniest of details. The British director’s first short film, Bear, depicts how a series of looks exchanged between two men builds into a physical showdown. His debut feature, Hunger, tells the real-life story of an Irish nationalist who died on a hunger strike through jarring bits of minutiae about his physical deterioration. And though McQueen’s Oscar-winning 12 Years a Slave has a broader scope, adapting Solomon Northup’s memoir of enslavement, the film’s most indelible scenes are the ones that bear silent witness. At one point, Northup is hanged from a tree and survives only by stretching his toes to the ground; McQueen’s camera shows life going on around him, with people doing their chores in the background of a ghastly tableau. Even when making a Hollywood blockbuster—his last film was —McQueen can coax powerful from a banal sequence.

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