LYNCH PIN

composer Christopher Larkin returns with a typically atmospheric score for – heavily based on string instruments, naturally. You tracks where nothing is really talked about other than the most basic idea, that end up being the strongest.” Lace’s theme was simply a boss track Larkin had been independently working on; Gibson and Pellen feel their deep familiarity with what’s going on in the game can almost cloud Larkin’s creative vision. “David Lynch talks about ‘not describing the dream’,” Gibson says. “William and I have, through this long ongoing conversation, this complicated understanding of all the working parts. But if we try and articulate too much of that outside of ourselves, it suddenly starts to become quite mechanical.”