Choral & Song

The note which accompanies this disc links its production to the COVID-19 pandemic. Inasmuch as the arias and chorales of Bach’s cantatas need not involve large vocal and instrumental ensembles, the recording is of practical use in these straitened times. Yet it seems that Anna Prohaska’s idea for the programme was entertained prior to the pandemic, so it is a happy conjunction of artistic concept with challenging circumstances.

The component parts of Prohaska’s recital are varied, consisting of solo arias, choruses, instrumentally treated chorales and, in a rather puzzling single instance, the celebrated ‘Sheep may safely graze’ aria in which a solo violin usurps the sublime vocal line. That being said, Birgit Schnurpfeil’s playing is alluring. Most of the items are free-standing but occasionally two pieces, drawn from different cantatas, though affectively complementary are segued.

Prohaska’s communicative voice is, by-and-large, pleasing, even though my sensibilities were sometimes disturbed by her inclination towards over-emphasis and a suggestion of messa di voce declamation. Arias with oboe obbligato from cantatas, BWV 31, BWV 105 and from the vernal Wedding Cantata, BWV 202 are perhaps especially successful.

The instrumentalists of Lautten Compagney under