The Atlantic

What Drives Writers to Drink?

Seeking in the eloquent benders of Dylan Thomas and Herman Mankiewicz an answer to an ancient riddle
Source: Weegee / International Center of Photography / Getty

The drunk guy. What are you going to do with the drunk guy? He’s holding forth, he’s sucking up air, he’s rhetorically inflated, he’s ruining everything, and no possible appeal to decency or art can stop him. A bucket of cold water might answer. Or a Vulcan nerve pinch. Otherwise, you’re just going to have to take it, you and everyone else, sinking deeper into a kind of frozen grave of disaffection, an icy bed of umbrage, as he goes on and on, drunk on himself, drunk on being drunk, drunk.

And it’s even worse if the drunk guy is a writer. Because not only are writers very tricky—viciously down on themselves, impossibly in love with this or that, squirting little shafts ofTheir drunk-guy monologues will not, unfortunately, be without interest. They might even be—as lights flutter out in the brain—somewhat creative.

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