SELF OBSESSIONS
“CAN YOU REPEAT THAT AGAIN?” asks Brandon Cronenberg, on the line to SFX from his home city of Toronto. He’s all apologies, clearly squirming as he requests a third stab at the same question. “I’m sorry. There’s this intense static that coming through.
“Maybe we’re being hacked,” he laughs, through the curse of crackle. “Maybe they don’t want this information out there…”
It feels entirely appropriate that technology is against us today. Cronenberg’s new movie, Possessor, is a tech-driven fantasy, blurring the boundaries of horror and thriller just as the identities of its protagonists shift and melt to disturbing effect. In this story the self is a brittle, untrustworthy thing and, as the writer-director tells it, that’s a premise rooted in his own lived experience.
“I was on the press tour for my first feature, ,” Cronenberg recalls, as the static mercifully recedes. “And when you travel with a film for
