Guitar Magazine

DIY WORKSHOP 1965 GIBSON FIREBIRD RESTORATION PART ONE

Gibson manufactured original Non-Reverse Firebirds between 1965 and 1969, and the model numbers were I, III, V and VII. There was even a 12-string version but that had a different headstock shape. Only four digits of the serial number have survived on this refinished player-grade model, so before I begin working on it, in order to determine exactly what it is, I’m looking at the evidence of various bridge fittings showing through the lacquer.

It arrived with a Gotoh tune-o-matic fitted, along with a non-original vibrato. At some point it had a stop tailpiece too but the bushing holes have since been plugged. Removing wrapover tailpieces was a common modification on 1960s Gibsons – the ‘lightning bolt’ wraptail provided intonation compensation designed for the wound-G string sets that pop and rock players were rapidly migrating away from.

The Gotoh bridge is mounted on bolts and bushings that are similar to wrapover and stop-tailpiece types. The treble-side bushing hole was plugged and a second bushing hole was drilled closer to the bridge pickup. The spacing between these bushing holes is too narrow for a wraptail, and no obvious evidence of a wrapover bridge having been fitted is showing through the lacquer either.

You’re reading a preview, subscribe to read more.

More from Guitar Magazine

Guitar Magazine2 min read
Greuter Audio Fokus
Switzerland’s Greuter Audio, a one-man operation based in Zürich, first came to our attention with the one-two punch of the Vibe and the Moonlight, a beautiful Uni-vibe clone and an elegant low-gain fuzz, respectively. The latest Greuter unit to hit
Guitar Magazine8 min read
The Thrill Of The Chase
Let’s make no bones about it: the world of vintage guitars can be an intimidating place. The stakes are high, and recognising the various tells that indicate whether an instrument is a fake or the real deal can seem like a dark art known only to griz
Guitar Magazine1 min read
Win A Relish Mary One Worth Over £2,800!
Innovative Swiss boutique luthier Relish does things differently to other makers. Take the Mary One, for example. The core of the guitar is a lightweight machined aluminium frame, onto which its one-piece 24-fret maple neck is bolted. The frame is th

Related Books & Audiobooks