The Atlantic

How to Tell the Story of a Cult

Two docuseries about NXIVM present a question: Are the people who have escaped a controlling organization the most reliable sources on what happened to them?
Source: Starz / HBO

Not 20 minutes into The Vow, HBO’s enthralling-then-ultimately-gasbaggy docuseries, things started to feel concerningly familiar to me. Sarah Edmondson—an engaging Canadian actor with big valedictorian energy who had joined the Albany-based organization NXIVM (pronounced nex-ee-um)—was describing how she was first drawn into a group that she would later expose as a sex cult. Edmondson’s career had stalled, and she was looking for a sign from the universe. A chance meeting on a cruise with a documentarian named Mark Vicente led her to her first five-day NXIVM seminar, where, between clunky taped interludes with ’80s fitness-video graphics, Edmondson says, she had a revelation.

The part that grabbed her came midway through, when NXIVM’s co-founder Nancy Salzman theorized that people with low self-esteem let their “limiting beliefs” curb their potential. “I thought that was just the way that I was,” Edmondson says. “And then all of a sudden, like, I could systematically evolve to be the ideal version of myself. To write my own character.” The jargon comes thick and fast in The Vow: “disintegrations,” “possibilities,” “human-potential program.” To the uninitiated, this might read like so much innocuous psychobabble. But during an intensive self-development workshop, when you’re sleep-deprived, isolated, and being love-bombed by peppy idealists who speak in emphatic cadences, these kinds of ideas can feel like the secrets of the universe are being unlocked.

Reader, it happened to me. In 2006, when I was floundering after college and my father was dying of cancer, my mother enrolled me in a personal-development program she’d recently taken and couldn’t say enough good things about. Edmondson’s description of suddenly awakening

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